God's word in a format easy for all to read. The notes provide excellent background incite. Reading it makes you want to pray for those who's book reviews are tainted by Satan's awfull power.

As far as gift and award Bibles go, this deserves the full 5 stars. It has readable print, words of Christ in red, some color maps, and a small dictionary in the very back. The translation is the accurate NRSV text. This edition lacks the deutero-canon, but for protestants that won't be an issue. The only minor problem may be that it is slightly steep in price for a gift Bible.

Like all Loeb Classics, this edition is presented with the ancient greek text on the left page, and its english translation on the right, giving students of classical greek an easy cross-reference. The translations are easy to read and not too difficult to comprehend, while still at the same time accurately rendered (unlike many Loeb translations, which are frequently too literal a translation to be readable).

But what makes this book of keen interest is not the attention paid to Hesiod's Theogony and Works & Days, nor the anonymous "Homeric" Hymns, but rather to its meticulous compedium of the lesser-known works it presents. Especially, for those works for which no complete version has survived, only fragments and occassional (later) commentaries.

In this volume you discover a wonderful epic poem called The Catalogue of Women and Eoie, of which only about half survives scattered among a hundred or so fragments. You also discover The Shield of Hercules, which some attribute to Hesiod. But most fascinating of all are the fragments of the Epic Cycle, poems written as a sort of "history" of the Greek people, of which the two great works by Homer (The Iliad and The Odyssey) were the most well-known and the only ones to survive intact. As far as I know, this is the only volume in english which gathers all of these fragments together and attempts to sort them out in some kind of order; for those interested in the ancient epics, this alone makes the edition worth the price.

This book is a sobering reminder of just how much has been lost over the centuries, of just how little actually has survived. Sadly, this is now probably the closest anyone will ever get to being able to read The Cypriad or The Melampodia again, and that's a shame.

Sometimes when consulting the Loeb Library for a translation of a greek text one finds a version wildly different than the original. This volume of the Loeb niether betrays the text, nor translates with arcane vocabulary (e.g. thou, thee, etc.). All in all, a very useful tool.

I checked this book out from the library...couldn't put it down! Then I bought it for my own library. The author is very easy to read...in fact, it was as if he was talking to me personally. I learned so much! How to select a guided hunt, reading deer sign and what it means,....the best thing I learned was that the area I hunt has mature bucks! I recommend this book for anyone who hunts deer

IT was a very informative book. A good one for people just starting out. I'd recomend it to any one who loves this sport.

This is an excellent, eminently practical book. Schiller has been accused of churning out books, but this one comes across as a labor of love. It is an excellent blend of text and variations, and he really gives you a feel for the Reti opening. There are lots of good reasons to play the Reti; the flexible first move, Nf3; the avoidance of queen's gambit theory; the avoidance of traditional approaches to the king's indian and grunfeld. In that sense, the Reti allows you to largely call the shots as to the direction of the game. This book has a special magic for the club player who wants to play the opening--one can get started almost right away, as you do not get bogged down. In that sense, the book is simpler than many opening manuals. But there is as much depth as I need, and one feels that one has a coach along for the ride in Schiller. He has great enthusiasm for the opening, and includes some of his notable wins, but he does not sugarcoat it either. The book is also very well made and solid, and is a pleasure to work through. All in all, a great chess book.

If you are of USCF playing strength 1600 to Master level, I believe you will find this book interesting (surprisingly interesting, I should say). The book gives solid examples of how hypermodern opening systems can ellicit poor play by black (primariliy due to apparent black non-familiarities with resulting non-classical and/or hypermodern opening structures). The non-familiarities inevitably lead black into inferior positions. The book also provides sound theory against solid black defensive systems adopted against white playing a hypermodern opening. In becoming intimately familiar with the Reti-System as outlined in this book by Schiller, you will find yourself going (1-0) against players who are rated several hundred points above your current USCF rating. I can attest to this because I have done so myself utilizing theory presented in this book! I must warn that if you are not a patient player, using the Reti system is probably not for you. Black will occupy the center until pawn breaks at e4,d4,c4 or even b4 will destroy the stronghold. The fact of the matter is simply this; Because there is still much to be learned about hypermodern play and inventions, the competitive player can prepare lines using these systems where black will be caught off-guard. I have also found much success in 5 min. blitz games with the Reti opening. I simply attribute this to too many players being comfortable with common/classical opening play.

I was very impressed with this book. It was a very moving and strong story of the 3rd class passengers on the Titanic, the people who are often overlooked in the disaster. I would recommend this book to anybody interested in the story of the Titanic and it's people.

This is an indepth and moving story of Elin and Pekka Hakkarainen, third class passengers on the ill fated Titanic. "I'm going to see what has happened" are the last words Pekka ever spoke to his wife Elin on that fateful night.

Moving is never easy for children. But Nancy Carlstrom's mama mouse affirms the fears of her child while offering a future full of possibilities. The pictures are great, with lots of little details for young readers concerned about the transition and location of all their "stuff."

We are on the brink of moving and my 3 1/2 year old loves this book. The little mouse in the book doesn't want to move, but all the while he's watching his mom pack up all of his favorite stuff. The mom ensures him that their new home will have all the great things that their old one does, but will be even better. This book has sparked some great conversations with our son about moving and how we will always remember the fun times we had in our old house, "but it's better to all together in someplace new." This is a great book for a child to "read" along - he/she will enjoy saying "But I'm not moving, Mama!" throughout the book.

Why are there some authors and books that seem to be admired by writers, yet have not found a wider audience, even with two solid books. Robin White is such a writer. No fancy review here...just the promise that no one who enjoys intelligent thrillers would be disappointed with Ice Curtain. Belongs in a class of Robert Wilson (Small Death in Lisbon, Company of Strangers) Craig Shelton (River Sorrow) who are turning out first class thrillers but to my knowledge have fallen short of the top 15.

This book is excellent-- tight,intelligent, warm-hearted, cynical yet hopeful, smart, yet tragic. Not the Demille thrill a minute, but a compelling, readable pace. Russia is the true character here. Read it. You'll pass it along. You'll be putting your imprimatuer here next.

In 1999 Irkutsk, Siberia, Siberian Delegate Arkady Volsky persuades his friend, former geologist Gregori Nowek to accompany him to Moscow. Arkady plans to demand that the Chairman of the State Diamond Committee Petrov pays the Mirny miners for their work. In Moscow, Gregori is late for the meeting in which Petrov tells Gregori he has not sold any diamonds recently due to a feud with the western cartel. Arkady threatens to ruin Petrov through his connection to Yeltsin.

Gregori arrives in time to see Arkady assassinated. He is arrested for his friend's murder. FSB major Izrail Levin has evidence proving Gregori's innocence, but instead cuts a deal. In order to remain free, Gregori must cooperate on the homicide investigation that soon takes them to an icy conspiracy involving diamonds and potentially cold deaths.

In spite of the climate, Robin White's latest Russian thriller, THE ICE CURTAIN, is a heated tale that never slows down. The story succeeds because the key characters feel genuine and make the conspiracy appear so matter of fact real. Anyone who enjoys a conspiracy tale or a solid police procedural will gain immense pleasure from this novel and want to read Mr. White's previous Russian story, SIBERIAN LIGHT.

Harriet Klausner

The only book you should even consider buying for paddling Idaho. The only negative is that grant seems to under estimate some of the shuttles. Watch out for that.

This book is as complete as you can find when it comes to Idaho White Water. Grant Amaral has done an outstanding job with this guide. Buy it, you won't be sorry. As a matter of fact, you will be sorry if you don't because there is no other like it.

This book was recommended by a friend who is mentioned in the book. Otherwise I probably would not have bought it. However I found it easy to read and very enlightening. I graduated from high school in 1962 from a small town in the South. Although my path took me a different direction; I was fascinated by Dick Reavis' accounts of his experiences at voter registration in a small Southern town. He is certainly very honest in his portrayal of his contributions to the movement. Learning more about the struggles of the college students and the people in the city where they worked helped me have a better understanding of the issues they were trying to help change. I was very naive back then and quite frankly unaware of some of the restrictions that were imposed on African Americans at that time. Thanks for enlightening me. I intend to do more reading on this important chapter in American history.

.... To give an idea of what it's about, here is the start of Reavis's preface:

"I am a white Texas male, now of middle age. Thirty-five years ago, during the summers of 1965 and 1966, I was a civil rights worker in Alabama. My part in what we called the Movement was small. I didn't set policy or appear on TV. I did my time in the ranks, got out when I felt I should, and tried for years, without much success, to put the Movement behind me.

"As the years have passed, I have watched as, in my recollections, I have diminished from hero to martyr to just a kid who was there..."

The book is not a history or essay but a memoir. We follow events as seen by the naïve, idealistic kid Reavis was when he first got to Alabama, and the gradually more seasoned civil rights worker he becomes over the next two summers. Yet the story is told from the distance and maturity of middle age (which strikes a chord with someone also in middle age like myself--one looks back with bittersweet feelings at a time in life when so much seemed possible).

I found the book fascinating as well as fun to read. So much so that I read it cover to cover in one sitting despite other pressing matters.

If you love trees you need to own this book. What an achievement for an artist not even 50 years old yet; 800 pages of astonishingly detailed paintings of hundreds of trees. The lifelike realism of form is matched in the coloring of all aspects of tree morphology and development, including bark, seeds, cones, berries, twigs, leaves and silhouettes. The first time I opened the book I thought the pictures were photographs. The more I examine the paintings the more agog I am that they came from a person's vision and hand - and the more I prefer them to photographs. People who love trees will understand what I mean when I say the paintings, with absolute realism,convey the spirit of trees in a way that photographs can't.
A book to covet until you own it. It's brilliant and extraordinary.

This comprehensive arboreal reference deserves a spot on any serious gardening library shelf. Illustrated Encyclopedia Of Trees has been 12 years in the making and is packed from cover to cover with detailed paintings of living trees which supplements the in-depth research conducted by botanist More and writer John White. The result is a color-packed volume organized by type of tree and including such details as geographic distribution, importance to American industry, and natural history. Some of this information is scattered in other volumes on trees; the depth of detail and intricate drawing of the trees featured in this superbly organized and presented encyclopedia set it apart from all others and make it a highly recommended, 'must' library reference.